IMDb voters move Disaster Movie off the bottom of the pile.

Directors Friedberg and Seltzer image via www.listal.com

Directors Friedberg and Seltzer
image via www.listal.com

On the 31st of August 2008, Disaster Movie was named by IMDb as being the worst movie of all time. With an average rating of just 1.9 out of 10 after over 63,000 votes, Disaster Movie out flops titles such as Superbabies: Baby Geniuses 2, Zombie Nightmare and even Birdemic: Shock and Terror, a film in which a two survivors fight off a platoon of eagles and vultures who had partnered up in murdering most of the residents of a small town. Yes, really.

The parody, starring Matt Lanter, Vanessa Minnillo, Carmen Electra and even an acting début from the multi-talented Kim Kardashian, received six nominations at the 29th annual Golden Raspberry Awards for Worst Picture, nominations for both Electra and Kardashian in the Worst Supporting Actress category, Worst Director, Worst Screenplay, and Worst Prequel, Remake, Rip-Off or Sequel.

The only positive review of the film came from Australian newspaper critic Jim Schembri, who described the film as being “dumb but also undeniably funny in more spots than a right-thinking mature person feels comfortable admitting” giving it a rating of 3 ½ stars out of 5.
Schembri’s was himself subjected to criticism from peers and Rotten Tomato website visitors for the review.

Directors Jason Friedberg and Aaron Seltzer are used to negative reviews. Disaster Movie and Meet the Spartans were voted the two worst films of 2008 by the Times. Empire released their own list of “the Worst Movies of All Time”, in which all but one of Friedberg and Seltzer’s films made it into the countdown.

Although it did manage to recoup nearly $40million in box-office and DVD sales, Disaster Movie was considered by many as being the worst movie ever made, but not anymore.

With a rating of only 1.3 after over 40,000 votes, Indian action crime thriller movie Gunday has “overtaken” Disaster Movie on IMDb’s list of worst rated films.

Directed by Ali Abbas Zafar, Gunday received mixed reviews with many critics admitting the movie had a credible storyline, but was structurally poor. Whilst reviewing the film, Bollywood critic Saibal Chaterjee said that “It really is difficult to keep a two-and-a-half-hour film from losing its wheels when its engine room is bereft of the propellant of genuine inspiration. Gunday is like the dusty minefields it is set in. Its loud explosions deliver loads of coal, but no trace of any diamonds.”

Although far from being a classic, Gunday is seen by many as a commendable effort, and it’s position on IMDb’s list seems quite frankly, a little harsh.

However, for the directors who have been described as being the “”evildoers, charlatans, symbols of western civilization’s decline” and “a plague on our cinematic landscape, a national shame, a danger to our culture, a typhoon-sized natural disaster disguised as a filmmaking team, a Hollywood monster wreaking havoc on the minds of America’s youth and setting civilization back thousands of years”, Friedberg and Seltzer, for now, are no longer the directors of the worst movie of all time.

A tie for Gravity and 12 Years A Slave at the 2014 PGAs

An image of Sandra Bullock at Comic Con 2013
An image of Sandra Bullock at Comic Con 2013

Star of Gravity, Sandra Bullock.

Last night, amid the hustle and bustle of awards season, the less popular, but equally revered among the film industry, Producers Guild Awards (PGAs) took place at the Beverly Hilton Hotel, in California.

While the fashion and A-list celebrity took a back seat this time around, the PGAs takes time out to celebrate the producers and visionaries responsible for bringing films from an idea to the big-screen.

The biggest news from last night was that for the first time in history there was a tie in the ‘Theatrical Motion Picture’ category. Both Gravity and 12 Years A Slave walked home with an award.

While that is great news to these producers, it throws a spanner in the works when it comes to predicting the Oscars which are announced in March.

Normally, around this time in the award season a front-runner has usually established itself, this year is the exception. Gravity has enjoyed huge oscar buzz since September, but has more recently lost out to 12 Years a Slave at the Golden Globes.

In the meantime, the hugely successful, American Hustle, directed by David O Russell was crowned winner at the Golden Globes (this time for Best Motion Picture (Comedy)) and also received the same award more recently at the Screen Actors Guild Awards.

All these awards including, The Golden Globes, Screen Actors Guild Awards, Producers Guild Awards and the Critics Choice Awards, are all an indicator to the most revered awards, The Academy Awards.

While in the past it can be seen that one film has dominated awards season all the way to the Oscars. But the big bash that takes place on 1 March this year, is sure the throw up some huge surprises.

What this means is that this year is the most exciting and unpredictable awards season.

To see the full list of winners click here.

The most infamous film villains

A close-up of Darth Vader mask.

Remember at the end of last year I wrote the Inside Film top 5 film heroes list? Well, here comes the darker side of the list. Within you will find the most evil, most badass villains in film. Ready? Don’t be afraid.

5. Annie Wilkes

Annie Wilkes holding a revolver and a syringe.

Image via: frenchtoastsunday.com

For anyone who has seen Stephen King’s Misery, this comes as no surprise. Perhaps not the scariest of his film adaptations, but wow, it sure is creepy. This comes as no surprise. Annie Wilkes is one messed up chick. I don’t think I have ever been this scared of a middle-aged woman before. Worst moment? When Paul Sheldon is searching the house, and you just know she’ll be through the door at any moment…

4. Anton Chigurh

Anton Chigurh sat in a chair.

Image via: theparisreview.org

No Country for Old Men. What a film. Personally, I think it is made by the psychotic-perfection of this man. A gun-for-hire with a twisted devotion to chance. Silenced shotguns are super sinister too. Worst moment has to be the murder of Carla Jean. Talk about bloody.

3. Hannibal Lecter

Hannibal Lecter, played by Anthony Hopkins, stood by a door.

Image via: http://yourfavoriteserialkiller.com/

“Bowels in, or bowels out?” An insane genius who loves the taste of human. Pretty much writes itself here. Hannibal Lecter is perfected by Anthony Hopkins and his magnetic charm. He’ll get into your head and stay there, trust me. Worst moment has to be when he makes a drugged Ray Liotta munch on his own brain in Hannibal. Pretty messed up right?

2. The Joker

Heath Ledger's Joker holding a Joker playing card.

Image via: nerdsraging.com

The thing that makes The Joker so terrifying is that he has no aims. No goals for world domination, or personal gain. He just wants to watch the world burn, and that’s truly horrific. Jack Nicholson’s Joker gets an honourable mention here, but it’s the genius of Heath Ledger that gets our vote. Worst moment? The pencil trick in The Dark Knight– not even his own goons are safe.

1. Darth Vader

Darth Vader stood in front of Snowtroopers on Hoth, the snow planet.

Image via: fightersgeneration.com

The ultimate evil. Cloaked in black, a true personification of evil. Darth Vader wins by a long shot. The iconic breathing sound makes it all so tense, and the sheer power that he exudes makes him our top contender. Vader casts a shadow over all film villains, and none can step out from under it. At his most evil when he crushes the throat of a subordinate without a sound. Plus, you know, trying to kill his son.

So, any more ideas? Tell us below who you think deserves to be on this list of evil.

Events, offers and releases 23/12/13

Ben Stiller in a still from The Secret Life of Walter Mitty

 

Ben Stiller in a still from The Secret Life of Walter Mitty

Source: The Guardian

Merry Christmas!

Yes we know, it’s almost Christmas and amid the last-minute present shopping and getting ready for the big day, going to the cinema is probably a distant dream far away in the future.

But for that lazy period between Christmas and New Year, on the days when you simply have no idea what to do, don’t worry, there is a solution.

While unlike the United States, which will see big blockbusters opening in cinema on the 25th (yes crazy, we know!) here in the UK, multiplexes across the country will all take the day off and reopen their doors on the 26th.

Two films, 47 Ronin and The Secret Life of Walter Mitty open across the country on Boxing Day, which could give you a much needed night out at the cinema, so sit back relax and enjoy the movies.

So if you’re looking for some real adventure, a time to escape into another universe, check out Walter Mitty which is directed by, co-produced and starring Ben Stiller.

It follows the life of Walter, a day-dreamer who one day is forced to take on the most incredible adventure that he could never even imagine.

If you fancy something a bit more violent and action-packed, 47 Ronin might be more up your street.

Starring Christian Bale, the movie sees 47 leaderless samurai vowing to seek vengeance and restore honor to their people after a treacherous warlord kills their master and banishes their kind.

To book tickets and find your closest cinema check out the Odeon Website.

Surprising improvisation in film

A man in a hospital gown wearing smudged clown make up walks away from a hospital explostion
A man in a hospital gown wearing smudged clown make up walks away from a hospital explostion

Image via forum.blu-ray.com

Not all of our favourite moments in film were planned. In fact, many magic movie moments were
not in the script at all. Inside Film has been looking into just a few moments in film that you
probably didn’t know were improvised.

The Dark Knight: Hospital Explosion
During the filming of the second instalment of Christopher Nolan’s Batman trilogy, a scene
involving blowing up a hospital should have been a failure, had it not been for the late Heath
Ledger thinking quickly on his feet.
Originally, Ledger was supposed to walk out of the Hospital only for it to explode immediately
behind him. However, the detonations were delayed and only one small explosion went off.
The building used for the scene had already been planned to be demolished and Nolan only had one chance to film the shot. Superbly, Ledger stayed fully in character, frantically poking and prodding at his detonator as the bombs exploded in random sequence behind him, allowing the scene which should have been a disaster to become one of the most iconic moments in modern film.

The Shining: “Here’s Johnny”
Considered one of director Stanley Kubrick’s best productions and one of the greatest horror/thriller movies of all time, The Shining boasts one of the most recognised moments in modern movie history.The line occurs during a scene where lead character Jack Torrance, now completely insane, is trying to murder his wife, who has locked herself in a bathroom for safety.
Originally, Kubrick, considered by some as quite the perfectionist, only wanted Jack Nicholson to break through a door with an axe, but what followed was to become most one the famous lines in film. As Nicholson breaks a hole in the door, he pokes his head through and says “Here’s Johnny”, in typical, maniac fashion. The line was taking from the late night TV show “The Tonight Show with Johnny Carson” and was an imitation of Announcer Ed McMahon’s introduction. Based in England at the time, Kubrick later admitted he had never heard the line before but decided to use it anyway.

Taxi Driver: “You talkin’ to me?”
The script read “Travis speaks to himself in the mirror”, but what Robert De Niro said would be
declared as the tenth greatest movie quote of all time (the winner was “Frankly, my dear, I don’t
give a damn” and become the most memorable moment in Martin Scorsese’s classic Taxi Driver.

A young De Niro, about to showcase his talent, turns to the mirror and says “You talkin’ to me?”
What followed would be carved into Pop Culture history forever. Originally, the idea was thought to be an imitation of Marlon Brando. However, actor /musician Clarence Clemons, who played for Bruce Springsteen and had a role in Scorsese’s 1977 musical “New York, New York”, revealed that De Niro got his inspiration for the scene from The Boss himself.