Celebrating niche awards

Pictured is Jennifer Westfeldt receiving an award.

Left is a black and gold award with a square glass top containing a 3D styalised gold soundwave. Right are several CDFA awards, silver statuettes of a female figure. Left are the World Soundtrack Awards and Right are the statuettes given at the Costume Designers Guild Awards

Following on from Tis’ the season: A look at Film Awards, we’ve compiled a few lesser known awards, the Costume Designers Guild Awards, The World Soundtrack Awards and the Visual Effects Awards. Three entirely different yet equally interesting celebrations.

The Costume Designers Guild Awards have honoured costume designers in film since 1999.

The guild which was founded in 1953 represents costume designers, assistant costume designers and costume illustrators. Today the CDG includes around 750 costume designers, stylists and illustrators, many of which are based in LA.

The trophy for the CDG Awards is a sterling silver statuette created by costume designer, David Le Vay and manufactured by Italian jewellery designer Bvlgari. The beautiful and intricate design takes the form of an abstract female figure standing 37 centimetres tall and each one takes around 50 hours to make.

Until 2012, an annual ‘hall of fame’ award was presented, celebrating career achievement. One of the first winners in 1999 was Edith Head, the costume designer who sparked inspiration for Edna Mode the fictional eccentric fashion designer and superhero costume creator from The Incredibles.

The 16th Costume Designers Guild Awards will be held on February 22nd this year. Nominations include Suzy Benzinger for Blue Jasmine, Ann Maskrey, Richard Taylor and Bob Buck, for The Hobbit: Desolation of Smaug and Catherine Martin for The Great Gatsby.

The 12th annual Visual Effects Awards will be held this year. The ceremony honours outstanding visual effects from throughout the past year and the artists behind them.

With more than 2,800 members in over 32 countries, the Visual Effects Society represents a wide breadth of visual effects experts including artists, technologists and model makers. The VES Awards have been held since 2003 when they celebrated achievement in 2002. The Lord of the Rings: The Two Towers won eight awards in the first ceremony, including Best Visual Effects in a Driven Motion Picture.

This year’s Visual Effects Awards will be held on February 12th at the Beverly Hilton Hotel. Nominations are yet to be announced but we predict that Gravity, The Hobbit: Desolation of Smaug and Star Trek into Darkness will do well.

Moving on to something quite different; the World Soundtrack Awards celebrate music in film. Partnered with the Film Festival Ghent, the awards have been celebrated alongside the festival since 2001.  The ceremony is held annually held each October in Belgium and awards include; Best Original Song Written for a Film, Best Original Soundtrack of the Year and the Lifetime Achievement Award.

The event often includes a performance from the Brussels Philharmonic Orchestra which has strong ties with the Film Fest Ghent, regularly partnering for recordings and concerts. Dirk Brossé, the conductor of the BPO, composed the Emmy nominated score for BBC drama Parade’s End.

The statuette for the World Soundtrack Awards is based on a sine wave – a sound wave represented on a computer screen. The wave is cut down to one single stylised undulation, and is then looped five times creating the shape of a crown. In the glass top of the statuette the wave floats ‘as it is not subject to gravity’ and the base is black referencing Bakelite, an early plastic commonly used for radios.

The 2013 World Soundtrack Awards have already taken place. Skyfall was awarded the accolade of Best Original Song, and Life of Pi won both Best Original Film Score of the Year and Film Composer of the Year. The 2014 Awards will take place in October this year.

5 facts about The Golden Globe Statuette.

The Golden Globe Award Statuette, a golden globe sat on top of a granite base.

The Golden Globe Award

The Golden Globe Award Statuette, a golden globe sat on top of a granite base.

Golden Globe Award Statue. Credit HFPA

Official Name – Golden Globe Award

Height – 10¾ inches

Weight – 5½ pound

Designer – Society Awards, New York

Fact

  • Each Golden Globe Award is individually hand-finished and presented in red velvet lined, leather bound chest with the Hollywood Foreign Press Association logo stamped in gold.
  • It has a 24-karat gold-plated zinc die cast top.
  • Society awards redesigned the statuette in 2008 to give it a new marble base and adjust the metal top to improve durability and aesthetics.
  • The top of the award is a globe wrapped in a film strip.
  • The marble for the stand is sourced from Europe and each individual award is hand carved to perfection.

The most infamous film villains

A close-up of Darth Vader mask.

Remember at the end of last year I wrote the Inside Film top 5 film heroes list? Well, here comes the darker side of the list. Within you will find the most evil, most badass villains in film. Ready? Don’t be afraid.

5. Annie Wilkes

Annie Wilkes holding a revolver and a syringe.

Image via: frenchtoastsunday.com

For anyone who has seen Stephen King’s Misery, this comes as no surprise. Perhaps not the scariest of his film adaptations, but wow, it sure is creepy. This comes as no surprise. Annie Wilkes is one messed up chick. I don’t think I have ever been this scared of a middle-aged woman before. Worst moment? When Paul Sheldon is searching the house, and you just know she’ll be through the door at any moment…

4. Anton Chigurh

Anton Chigurh sat in a chair.

Image via: theparisreview.org

No Country for Old Men. What a film. Personally, I think it is made by the psychotic-perfection of this man. A gun-for-hire with a twisted devotion to chance. Silenced shotguns are super sinister too. Worst moment has to be the murder of Carla Jean. Talk about bloody.

3. Hannibal Lecter

Hannibal Lecter, played by Anthony Hopkins, stood by a door.

Image via: http://yourfavoriteserialkiller.com/

“Bowels in, or bowels out?” An insane genius who loves the taste of human. Pretty much writes itself here. Hannibal Lecter is perfected by Anthony Hopkins and his magnetic charm. He’ll get into your head and stay there, trust me. Worst moment has to be when he makes a drugged Ray Liotta munch on his own brain in Hannibal. Pretty messed up right?

2. The Joker

Heath Ledger's Joker holding a Joker playing card.

Image via: nerdsraging.com

The thing that makes The Joker so terrifying is that he has no aims. No goals for world domination, or personal gain. He just wants to watch the world burn, and that’s truly horrific. Jack Nicholson’s Joker gets an honourable mention here, but it’s the genius of Heath Ledger that gets our vote. Worst moment? The pencil trick in The Dark Knight– not even his own goons are safe.

1. Darth Vader

Darth Vader stood in front of Snowtroopers on Hoth, the snow planet.

Image via: fightersgeneration.com

The ultimate evil. Cloaked in black, a true personification of evil. Darth Vader wins by a long shot. The iconic breathing sound makes it all so tense, and the sheer power that he exudes makes him our top contender. Vader casts a shadow over all film villains, and none can step out from under it. At his most evil when he crushes the throat of a subordinate without a sound. Plus, you know, trying to kill his son.

So, any more ideas? Tell us below who you think deserves to be on this list of evil.

Happy New Year from Inside Film

Pictured is the Disney castle with fireworks going off overhead.
Pictured is the Disney castle with fireworks going off overhead.

Image via wallsave.com.

We at Inside Film hope you all had a fantastic Christmas and a very happy New Year.

The new year in cinema is always an exciting time, first and foremost its means that awards season is in full flow, the BAFTAs, Critic Choice Awards, all running up to the glamourous and most prestigious of them all, the Academy Awards.

Inside Film will make sure that you keep up-to-date on the most recent news and events from both here in the UK and across the pond in Hollywood. With interactive live blogs, we’ll be sure that we keep you up to date with the latest news.

We have lots of other exciting things planned for this year, we will bring you some exciting features on the latest news and giving you an insight in the process of film making. Also look out for our brand new podcasts, We’ll be on hand to talk everything Oscars and BAFTAs.

Another thing to look forward to is our new feature of live blogging, we will be here making sure you get all the latest and up-to-date news from both the BAFTAs and the Oscars. 

We hope you continue to enjoy Inside Film, and as always we love to hear from you, so for any questions/comments please tweet us @Inside_Film.

How is Gustav Holst still inspiring modern movie composers today?

Pictured is the composer Gustav Holst
Pictured is the composer Gustav Holst

Image via swerveevents.com.

The English composer Gustav Holst is still inspiring modern movie composers today, almost 100 years after his death.

Gustav Holst is most well-known for his orchestral suite, Planets that featured five dramatic movements focusing each on a planet in our solar system, Mars, Venus, Mercury, Saturn and Jupiter. These movements have inspired many movie composers since, and in many ways the score has made its way into a majority of modern film.

For instance, the rhythmic ostinato featured in Gustav Holsts’ Mars is heavily featured in the final scene of Star Wars: Episode IV – A New Hope. The concluding act sees Luke Skywalker firing his proton torpedo into the exhaust port of The Death Star, with a dramatic sequence ensuing. During this time, the score crescendo’s, becoming louder and louder, building tension. This dramatic composition is almost identical to that of Gustav Holst’s Mars, a piece written in 1919.

John Williams, the composer for Star Wars was actually told by George Lucas himself to make the score for the scene equal to that of Mars. We could talk about John Williams ‘using’ pieces from other composers another time, that can certainly be a separate discussion altogether.

Digging deeper it’s found that there a huge selection of movies that feature Gustav Holst’s work fairly heavily, many composers at the very least drew inspiration from Holst’s Planets. The Alien franchise (most notably Aliens) features a variation of the score during the scene where Ripley fights off the Alien queen with a powerloader. Other notable mentions include Star Trek IV: The Voyage Home, The Terminator, Predator and the fairly iconic Inception soundtrack.

There’s undoubtedly a pattern here, almost all the films that use this score fall within the science fiction genre.

Mars is certainly a fitting score for science fiction films in general. The piece was written with the titular planet in mind and was featured in the orchestral suite Planets, which included movements for other planets such as Venus and Mercury. Not to mention the fact that Mars was also titled, “The bringer of War”. Clearly, Gustav had science fiction in mind from the start.

Gustav Holst can be seen as unintentionally being one of the greatest movie composers of all time, inspiring many film scores of the last 50 years.