Category Archives: Features

Posted on by

Audrey Hepburn’s on screen wardrobe

Collage of three photos of Audrey Hepburn wearing her infamous little black dress, one from the side, one portrait and one full length from the front.
Collage of three photos of Audrey Hepburn wearing her infamous little black dress, one from the side, one portrait and one full length from the front.

Images via vintagehandbook.wordpress.com, chicvintagebrides.com and davidlatta.org

Audrey Hepburn has long been a favourite actress of mine; my love of vintage film paired with my adoration of fashion and costume in film makes Hepburn, one of Hollywood’s most glamorous starlets an obvious icon.

Not only a pretty face Hepburn was a humanitarian and an appointed Goodwill Ambassador of UNICEF. She was awarded the Presidential Medal of Freedom for were work with UNNICEF and posthumously awarded the Jean Hersholt Humanitatian Award.

Hepburn is an inspiration for many reasons, but she is remembered by most as an icon of classic film, alongside greats such as Marilyn Monroe and Elizabeth Taylor. Her striking appearance meant that she was adored by designers and in her film career she wore some stunning costume.

Her most infamous piece is by far the original ‘little black dress’ she wore in Breakfast at Tiffany’s as Holly Golightly. The floor length Italian satin sheath gown was designed by Hubert de Givenchy who worked with Hepburn on several films. The dress is gathered at the waist and includes a cut out detail back, interestingly the dress was originally designed shorter but was considered to show too much leg and was the lower half was redesigned by costume designer Edith Head.

Although the dress is undeniably iconic and has been reproduced and reimagined a hundred times over, the accessories are arguably just as infamous. The dress was paired with extravagant jewellery, a glittering tiara and several heavy strings of pearls worn around the neck. Hepburn also wore a long pair of black gloves in which she held an oversized cigarette holder.

The ‘little black dress’ was sold at auction in 2006 for £467,200, several times its estimate. This was the highest price ever paid for a dress in film until Marilyn Monroe’s infamous Seven Year Itch ‘subway dress’ was sold for over $4 million.

I couldn’t discuss Hepburn Hepburn’s on screen wardrobe without mentioning her costume in Funny Face. Hepburn portrays ‘Jo’, a shy book shop clerk, whisked along by fashion editor Maggie Prescott (Kay Thompson) as an amateur model.

Again Hepburn gowns were custom designed by Givenchy, she is quoted as saying “His [Givenchy] are the only clothes in which I am myself”. Givenchy designed several exquisite gowns for the film but two of my favourites are the strapless red chiffon gown that Hepburn wears running down the steps of the Louvre and the beautiful 1950s wedding dress with a boat neckline and huge ballerina skirt. Hepburn wears the wedding dress in a lovely scene with Fred Astaire, where the pair sing He loves and she loves.

Audrey Hepburn strikes a dramatic jumping pose wearing an all black outfit

Image via www.lemonandlace.com

Arguably less impressive but probably more Hepburn’s style is the black outfit she wears as Jo, visiting French jazz bars. A simple black turtle neck paired with cropped black trousers have never looked so chic. They perfectly define Hepburn’s sleek gamine figure.

Posted on by

Location, location, location

A house with a round door built into the side of a hill on the set of The Lord of the Rings

From the picturesque landscape of New Zealand that we affectionately know as ‘Middle Earth’ to the harsh environment in Iceland that forms the planet that is explored by the crew of Prometheus, find out how the perfect filming locations are chosen.

While special effects and computer generated images (CGI) can create worlds and landscapes that go beyond your imagination as seen in Avatar, directors often choose to film in location often in harsh environments.

A long table set with plates cutlery and glasses on a sound stage at Leavesden Studios.

The Great Hall in Harry Potter was all filmed on a sound stage at Leavesden Studios.

Sound stages such as Pinewood Studios offers filmmakers impressive backlots that allow for a variety of scenes to be filmed on either sound stages or in front of a green screen, they are often too artificial and lack the visual spectacle that the English landscape of a Hawaiian beach can offer.

Location Works is Europe’s largest locations company and have scouted the perfect location for hundreds of both film and TV productions including, Philomena, Jupiter Ascending and W.E.

But choosing the perfect location isn’t as simple as selecting a grand country house or an impressive mountain range in Italy.

So what is involved in being a location manager? According to Location Works, ‘Anything and everything that it takes to make a location shoot go smoothly. It’s a job that can require many talents and great patience. There’s no such thing as the “typical” job’.

A location manager takes the clients brief, whether it be a big-budget feature film or a modest photo shoot in London, they find the perfect location to suit all their needs. this means that the location has to work perfectly not just from a visual perspective but also logistically.

In some more harsh terrain the problem of safety and accessibility is something that needs to be thought about. After all, there is no point in finding the ‘perfect’ landscape if it is impossible to get a camera there to film any shots.

For example for the 2013 release, The Hunger Games: Catching Fire, most of the filming was done in Atlanta, Georgia. The reason behind this was due to the tax breaks the state offers to film makers in that area and less with the natural landscape in the surrounding area.

Sam Claflin diving into the ocean while filming a scene with Jennifer Lawrence in Hawaii for The Hunger Games: Catching Fire.

Filming the scenes for the ‘Arena’ in Hawaii, stars Jennifer Lawrence and Sam Claflin of The Hunger Games: Catching Fire.

The film then moved to Hawaii, with a much smaller crew, due to budgetary reasons, to film on location instead of in Georgia where they were using mainly back lots and sets.

So what Atlanta offered the filmmakers in a practical sense was something that while very useful, could not be matched by Hawaii’s golden beaches and lush jungles.

Whether it be a luxurious Spanish villa located in London for an independent movie or an active volcano, it is the job of the location manager to find that perfect location to be the perfect backdrop to the biggest cinematic moments.

Posted on by

Godzilla, a retrospective

Image shows the movie monster Godzilla fighting famous ape, King Kong
Image shows the movie monster Godzilla fighting famous ape, King Kong

Image via: nukethefridge.com

Godzilla has been a part of film for many years, terrorising cities and fighting Kaiju since 1954. The king of monsters is set to be a part of the big screen again with this years remake but, how did Godzilla actually come to be who he is today?

Godzilla (the English translation of Gojira) is the creation of Japenese film director, Ishiro Honda. Inspired by early clay animation dinosaur films such as The Beast from 20,000 Fathoms, Godzilla was created as a cross between an iguana and a dinosaur. Thankfully, there was no such dinosaur as Godzilla, that we know of.

The first film, Godzilla, started the introduction of the ‘big monster’ film franchise, something that films such as Cloverfield owe themselves to. This film introduced Japanese audiences to the threat of a monster created as a result of atomic testing. Godzilla stresses that atomic testing may result in Kaiju such as the monster itself, lets hope not.

The subsequent sequels delivered on the success of the first film introducing new monsters and threats such as Mothra, a ruddy great big moth of death. These sequels largely saw Godzilla as a hero of the world (Japan in particular) fighting off monsters that threatened humanity.

Typically, the later the franchise went, the weirder and more surreal the Godzilla movies became. The most recent iterations saw the introduction of Mechagodzilla, Godzilla’s mechanised counterpart.The concepts and ideas of these later films are still no match for the Western introduction in 1998.

Godzilla (1998) was directed by Rolan Ememrich, famous for is action packed disaster films. The remake was criticised by fans and critics alike describing the movie as being nothing buit action, with very little story. Godzilla won accolades such as Worst Picture, Worst Remake and Worst Director at the Golden Raspberry Awards that year. It looked like the films just didn’t translate well to Western audiences.

There is a new hope however, in the form of yet another remake. Next month sees the release of Godzilla, directed by Gareth Edwards of Monsters fame. Looking to cater for Japenese audiences, sticking to the original roots of the monster, the film looks set do very well at the box office. Do you think this is a new era for Godzilla? See for yourself with the trailer below.

Posted on by

Would you still enjoy the film if you couldn’t see the screen?

Image shows actors, harrison ford, carrie fisher and mark hamill on the set of star wars. The image is blurred.
Image shows actors, harrison ford, carrie fisher and mark hamill on the set of star wars. The image is blurred.

Image via: disney.wikia.com

Can you recognise the film scene above?

For most people, the biggest worry at the cinema is how much that large bag of popcorn costs. For others however, there are more things to worry about when going to see the latest movie.

Not all movie fans have the ability to enjoy films the same as everyone else. Imagine trying to watch a film you couldn’t see or hear.

Many movie goers are in fact blind, deaf or on the autistic spectrum. Whilst at first you may think that this would hinder the movie going experience, more and more cinemas are recognising these problems and catering for a wider audience. Cinemas such as Odeon provide guests with special accessibility screenings for those who are blind, deaf or autistic.

Many films screened at Odeon provide film fans with a separate audio track for those who are blind or partially sighted. Aspects of the film such as scene surroundings, setting, body language of the actor and dialogue are described to the guest. This audio commentary is available at the box office of the cinema, with the headset being used during the showing.

The recent trend of 3D films has meant that some film fans can’t get the full experience as many sight issues mean the guest can’t see 3D cinematography.. As a result, the cinema aims to provide guests with 2D performances where possible. Guide dogs are also welcome in all cinemas.

For customers with a visual impairment, Odeon offers audio descriptive showings of recent films at your local cinema. Whilst there may not be many showing in comparison to standard showings, this is certainly welcome. Odeon also offers some captioned, subtitled performances for those with a hearing impairment. They also offer use of a headset to improve your hearing of the film soundtrack itself.

A standard showing of a recent film can certainly be a challenge for movie goers who are autistic. In recent years however, many cinemas have started showing autism friendly screenings, specific for those on the autism spectrum. Odeon for example, host an autism friendly screening one Sunday each month at 11.30 am. These showings have certain changes within the performance, lights at a lower level, lower sound level, no advertisements and allowances for movement and noise within the theatre.

These screenings are partnered with Dimensions, a non-profit organisation supporting services for people with learning disabilities and autism. The aim with these screenings is to make guests feel as comfortable as possible, with the hope that in time, they would be able to attend a standard screening.

Whilst there is still some work to be done in order to ensure every guest has the same experience at the cinema, these are certainly some advancements that are welcome and is a step in the right direction. In time, everyone will be able to have an enjoyable experience at the local cinema.

Posted on by

The Death of Brandon Lee: One of Films Most Tragic Moments

March 31st 1993 will forever remain one of the saddest days in modern film history. 52 days into a 60 day shoot, Brandon Lee, son of the late martial arts expert Bruce Lee, was tragically shot and killed during the filming of the supernatural action film, The Crow.

As did his father (Enter the Dragon 1973), Lee never lived to see the release of his most successful work. However, also like his father, mystery and suspicion surrounding the actor’s death will forever immortalise Brandon Lee in movie folklore.

Young Brandon Lee with father Bruce. image via es.wikipedia.org

Young Brandon Lee with father Bruce.
image via es.wikipedia.org

On April 1st 1993, the Los Angeles Times reported “Actor Brandon Lee, the 28-year-old son of the late Kung Fu star Bruce Lee, was killed Wednesday after a small explosive charge used to simulate gunfire went off inside a grocery bag during filming on a movie set in Wilmington, N.C.”

However, the article later states that “it is still unclear whether the projectile came from the gun or the grocery bag or both. “When the other actor fired a shot, the explosive charge went off inside the bag,” said Wilmington police Officer Michael Overton. “After that, we don’t know what happened.”

Although admitting the case was still under investigation, Wilmington Police announced that they were treating the incident as an accident, yet many fans suspected foul play. After suspicion surrounding the cause of Bruce’s death from an apparent reaction to painkillers in 1973, many were sceptical about the causality of Brandon’s fatal last scene.

The unfinished 1973 martial arts film Game of Death, starring Bruce Lee, provides even more spooky coincidences that further fuelled the fire of many conspiracy theorists, as Lee’s character is shot in similar circumstances to his real life son, although he does return to take revenge.

So how did this tragic event really occur? In the scene, Lee is supposed to have been shot by thugs as he walks into his apartment to find his girlfriend being raped. It is believed that due to increasing time restraints, the decision was made to use dummy cartridges in the prop weaponry, which appear functional, yet contain no gun-powder.

The empties would be made from real cartridges, a responsibility handed to effects technician Bruce Merlin. To do this, Merlin, assisted by prop master Daniel Kuttner, would dismantle the live cartridges by removing the bullets, emptying all contained gun-powder, detonating the primer (a device for igniting the powder charge in a modern cartridge of centerfire ammunition) and then re-assembling the cartridge.

During preparation, Merlin and Kuttner tested the gun that would be used in scene by using a cartridge containing only a primer and a bullet with no gun-powder, which caused the bullet to become lodged into the forcing cone of the gun. When it came to shooting the scene, the live bullet remained in the barrel, which was then propelled out by the explosion from a blank cartridge, fatally injuring Lee in the process, as the cameras rolled.

Lee was pronounced dead at 1.04pm. After being buried next to his father in Washington, footage capturing Lee’s death was destroyed before ever being developed. Released in 1994, The Crow became a box office smash and is now regarded as a cult classic.