Method behind the magic: Saving Private Ryan

Image features a still from the D-Day landing scene in the film Saving Private Ryan. The camera is looking over a German soldier firing at allied forces.
Image features a still from the D-Day landing scene in the film Saving Private Ryan.  The camera is looking over a German soldier firing at allied forces.

Image via www.savingprivateryan.wikia.com.

Released in 1998, Stephen Spielberg’s magnum opus Saving Private Ryan is considered one of the greatest and most realistic portrayals of war ever produced. Rated #36 on IMDb’s all-time greatest movie list and a very high 93% on movie critic website Rotten Tomatoes, Saving Private Ryan received nominations for 11 academy awards, winning 5, including the Best Director award for Spielberg. Amongst many other accolades, the film also won awards at the Golden Globes, Grammy’s and the BAFTAs.

The poignant messages and emotional drive of the film launches the audience into world that is both dangerous and unpredictable. Although receiving some criticism, mainly for disregarding the contribution of several other countries to D-Day, Saving Private Ryan will forever be remembered for its realism. Brilliantly intense performances from Tom Hanks and Matt Damon particularly, allowed Spielberg to focus on the terror of the war, rather than the heroics of the men in uniform. However, he did not make it easy it portray.

To prepare his stars for the “hell on earth” mentality of war, Spielberg enrolled almost every cast member into a Ten Day boot camp with retired marine Dale Dye, who was given the responsibility of pushing the actors to the peak of physical and mental exhaustion. Dye would fire blanks from point blank range, conduct heavy combat and survival skills training and would only refer to the each person by their character name.

Dye later explained that “to the extent I can, I immerse the actors in that lifestyle: I take them to the field; I make them eat rations; I make them crawl and sleep in the mud and the cold and the dirt… And when they come out, if I’ve done my job successfully, they have an inkling of what people sacrifice to serve their country in the military.”

Not all of the actors had to take part however. Matt Damon, Private Ryan himself, was made exempt from the training, only to turn up at the very end holding a cappuccino, as the story goes. This was a deliberate decision from Spielberg, in a bid to create a sense of animosity between Damon and the rest of the crew that would be reflected in the film.

On the training, Vin Diesel stated that “To have to sleep under harsh rain conditions and be woken up after only a few hours following a really hard day-it was very rough. It was something I’ll never do again, but it was something that I’ll always be thankful for have been completed.”

Tom Sizemore also spoke about the training after the films, explaining that “Something happened. We learned that no one does anything alone in the war. It’s all about teamwork. We got a taste of that and it brought us closer together so when we started shooting the movie, we felt a bond that we had gone through something very difficult together.”

Tis the season: a look at film awards

A black and white image a crowded room holding the guests of the first Academy Awards banquet at Roosevelt hotel
A black and white image a crowded room holding the guests of the first Academy Awards banquet at Roosevelt hotel

The first Academy Awards ceremony
Image via reelfxart.blogspot.co.uk

Christmas is soon to be over and the dull grey hues and cold winter weather still remain outside. Thankfully there is still a lot to celebrate as the film awards season is upon us.

A nude bronze statue holds a mask of comedy and tragedy in each hand

The SAG award. Image via www.sagawards.org

SAG Awards

Firstly the SAG awards, not a celebration of the more mature, SAG actually stands for the Screen Actors Guild Awards. The accolade celebrates performances in film and television. Its trophy is a 16” solid bronze nude male statuette titled ‘the actor’ which holds a mask of comedy and tragedy in each hand.

The first SAG awards were held in 1995, celebrating the previous year, broadcast from stage 22 of Universal Studios. The annual lifetime achievement award, which predates the first awards show by thirty years, was given to George Burns. The show was his final television appearance before he died at 100 years old.

This year the 20th annual SAG awards will be presented on January 18th at the Shrine Exposition Centre in Los Angeles. 12 years a slave is nominated for four awards including, the Outstanding Performance by a Male Actor in a Leading Role, Supporting Role and Female Actor in a Supporting Role.

BAFTAs

A bronze mask sands on a small marble block.

BAFTA award. Image via en.wikipedia.org

The British Academy of Film and Television Arts (formed in 1947) holds several awards each year, split into several different categories of Film, Television, Games and Children’s. From 1968 the Film and Television awards were held together in one ceremony until 1998.

The first awards were designed by English sculptor Henry Moore, and were large, bronze statues of a seated lady. The current BAFTA award which you will probably recognise is the iconic bronze mask, based on a design by Mitzi Cunliffe and has been presented since 1976. The first BAFTA mask was presented to Sir Charles Chaplin, better known as Charlie, who was honoured as an Academy Fellow.

The BAFTA Film Awards have been held in the Royal Opera House since 2008 and this years celebration will be held there on Sunday the 16th of February.

A tall shiny bronze statue on a small round black pedestal.

The Oscar award. Image via www.fxguide.com

Oscars

Finally; the Academy Awards, better known as the Oscars. Arguably the most prestigious, and one of the oldest, the Academy Awards have been held since the first ceremony in 1929. It was a far smaller affair than the huge event it is today, 270 people attended the first ceremony at the Hollywood Roosevelt Hotel.

The award winners were announced three months before the first ceremony, but from the second awards they have been kept secret. Since 1941 the Academy adopted a strict sealed envelope policy after the Los Angeles Times printed the award winners names in its evening addition before the 1940’s ceremony.

The first awards had 12 categories, since then there have been more and more additions including, awards for Film Editing, Music Scoring, and Song (7th awards), Supporting Actor and Supporting Actress (9th awards), Special Effects (12th awards), an Award for Make Up (54th Awards) and The Animated Feature Film Award (54th awards).

The 86th Academy Awards will be held on Sunday March 2nd in the Dolby Theatre where they have been held for the last 12 years.

I will be looking at some more niche and unique awards soon, those which often don’t get such a look in from the average movie goer. Follow us on Twitter and Facebook for post updates.

The all-encompassing Tarantino-verse

Quentin Tarantino holding a camera
The Bride swordfighting

Image via http://derekwinnert.com/

Sometimes you can flick to a film and just know whose it is. There’s that director footprint, like a seal of ownership, that you can identify within minutes of switching on. Sometimes it’s a visual style – you can tell a Pixar film from a mile off. Or maybe it’s the dialogue that’s distinctive. But what about the films of Quentin Tarantino? What makes them so, recognisable?

These films are incredibly indepth, with a ton of unique characters and brilliant ways in which they interact. But how do the films themselves do this? Tarantino has spent his life painstakingly crafting a spiderweb-like film universe, in which every character branches out to another somehow. This band of rogues overlaps in between his films in ways that are as weird and wonderful as his creations.

These aren’t plot related, mind you. These crossovers are more like Easter Eggs, teasing and giving little enjoyable in-jokes to only the most observant of fans. Film buffs say that good screenwriting is to give every character a backstory. Well Tarantino could dedicate entire films to his.

I’ll start with an easy one. Pulp Fiction‘s Mia Wallace tells John Travolta about her failed TV show, Fox Force Five. Sound like Kill Bill to you? Maybe it isn’t Uma Therman playing The Bride, but Mia Wallace? Coincidence I think not.

Vincent Vega and Jules Winnfield holding guns

Image via http://handsomecitizens.com/

Speaking of John Travolta, did you know that Reservoir DogsMr Blonde and Pulp Fiction’s Vincent Vega are related? Here’s a big hint – they’re brothers. Tarantino originially intended to write The Vega Brothers as a prequel but scrapped the idea when both Messrs Travolta and Madsen aged more than their respective characters.

Okay with that? Good, cause here’s where it gets a little deeper. Keeping with Reservoir Dogs, Mr White’s relationship with a woman known only as “Alabama” can be linked with the same girl from the Tarantino scribed True Romance. It’s also a safe bet to assume Detective Jack Scagnatti from the Tarantino penned Natural Born Killers is related to Seymour Scagnetti. Remember him? He was mentioned as being a parole officer in Reservoir Dogs by Mr Blonde.

Further down the rabbit hole we go. Tarantino himself has admitted that he writes two kinds of film; “movie movies” and the “Realer than Real” universe. These “movie movies”, From Dusk Till Dawn and Kill Bill are films that character from his other films would enjoy. So, in the drama Curdled, a character is seen watching the Gecko brothers from From Dawn Till Dusk on TV. This would explain both why there are suddenly vampires in a Tarantino film, and why no one in Django Unchained is worried about vampire attacks. The rest of his films are firmly in the “Realer than Real” category.

I could keep going endlessly with speculation and fanboy-driven ramblings, or you could go and watch the films and marvel at what Tarantino has created yourselves. Or, you could head to Cracked.com and check out their theory on the ending of Inglorious Basterds. It certainly blew my mind.

If that is true, then the man truly is a genius. Either way, you have to love how this guy’s brain works.

Time is running out to visit Tatooine

The fictional city of Mos Espa is located within the sand dunes of Tunisia. The characters from Star Wars are walking down the marketplace with many domed buildings and sci fi structures around them.
The fictional city of Mos Espa is located within the sand dunes of Tunisia. The characters from Star Wars are walking down the marketplace with many domed buildings and sci fi structures around them.

Image via starwars.wikia.com

A long time ago in a galaxy far far away, 1999 and Tunisia to be exact, George Lucas gave Star Wars fans the most detailed and strikingly beautiful location that the series had to offer. Just ask any Star Wars fan of the first city that springs to mind, they’ll undoubtedly think of Mos Espa, the hometown of one Anakin Skywalker. Fast forward well over a decade however, this real world location may soon be a thing of the past.

Located just to the west of the Tunisian city of Tozeur, lies one of the most detailed Star Wars sets ever built. Nestled amidst the dunes are around 20 buildings covering an area of around 10,000 square meters. One of the largest Star Wars sets produced, many tourists stumble upon the location thinking they’ve been transported in time.

This area was prominently featured in the first of the Star Wars prequels, Star Wars: Episode I-The Phantom Menace and has since become one of Tunisia’s key tourist attractions. Tourists can currently visit Mos Espa and get the feel as though they are on the fictional planet of Tatooine, the only thing that’s missing are the twin suns.

CNN reports however, that this iconic area may soon be lost by the very location it resides in. The sand dunes next to Mos Espa are currently moving at a rate of around 4cm per day, with the fictional city lying right in its path. Very soon, Mos Espa may be lost forever.

A domed hut is shown with sand creeping up the already decayed walls.

Image via holidaycheck.com. The sand is starting to surround the already weathered Mos Espa buildings.

This news comes at a devastating loss for Tunisia, as the area is frequently included in various holiday packages and draws many visitors, all wishing to gain an insight into this iconic fictional city.

In an interview with CNN, Tahar Karya, an expert in the sand dunes of Tunisia and George Lucas’ personal driver during filming, had this to say about how Tunisia benefited as a result of Mr Lucas:

“More than 1,500 background actors were employed. Agencies and hotels also benefited. Over a period of two-and-a-half months, (Lucas) brought activities to the region and beneficial economic activity. We hope he comes back here again.”

Perhaps George Lucas will return to Tunisia to film the latest Star Wars films? He’d better bring a spade.

The set has remained unused since 2003 after Lucas finished filming Episode 2, the final film that featured Mos Espa. At the time of writing, those interested can still visit the set, but for how much longer?

Better book those tickets sooner rather than later Star Wars fans, as Mos Espa may soon be swallowed up by the Sahara Desert itself. Perhaps a few centuries from now future civilisations may uncover the location and mistake it for a functioning city of our time and not that of a film set.

“The Pixar Theory”

The Pixar logo is visible with various Pixar characters surrounding it.

image via mashable.com

“Every Pixar movie is connected.” Those are the words of blogger and self-proclaimed “movie fanatic” Jon Negroni, who became obsessed over hidden links between some of our favourite animated masterpieces, leading to him to compile the “The Pixar Theory”.

Negroni begins with Brave, released in 2012, as the catalyst for events to come. As the earliest time period covered in a Pixar film, set in the Dark Ages, Negroni pays particular notice to how Brave is the only movie that explains why animals have human abilities and characteristics. Merida, a young princess, discovers a form of magic, which she inadvertently uses to turn her mother into a bear.

Merida later finds that this magic comes from an odd witch, who disappears every time she passes through a door, leading Merida to question her very existence. According to Negroni’s theory, this is not the only time we have encountered this witch.

Negroni is very quick to explain that the “The Pixar Theory” is an idea, not fact. He states that “The point of this theory is to have fun and exercise your imagination while simultaneously finding interesting connections between these fantastic movies. If you hate fun and/or imagination, you probably won’t like this theory.” Regardless, the further you delve into the Pixar Universe, the more you will become engrossed in its seamless narrative.

Centuries after Brave, the progression of intelligence leads to a power struggle between humans and animals. Negroni explains that “The stage for all-out war in regards to animals is set by Ratatouille, Finding Nemo, and Up, in that order. Notice I left out A Bug’s Life, but I’ll explain why later”.

Alongside the growing power battle between humans and animals, Negroni also highlights the progression of artificial intelligence, including machines in the struggle. This begins in The Incredibles, as Buddy, aka Syndrome, creates the A.I “Omnidroid” in his attempt to defeat the superheroes. “The omnidroid eventually turns on Syndrome, and starts attacking humans in the city. Why would an A.I.
want to just attack randomly? Do machines have an inherent hatred of humans?” asks Negroni.

Things get even weirder as Negroni adds more and more films to the timeline. In fact, he manages to include every single Pixar film into the story, including “Newt”, which has never been released by the company. Negroni invites you to, analyse, deconstruct and offer new angles as his theory continues to grow and gain pace online.

“The Pixar Theory” does not fail to shock and surprise you, as Negroni consistently uncovers hidden links, backing them up with evidence and interesting logic, and we haven’t even scratched the events on the timeline, as the real treat is at the end.

To check out “The Pixar Theory” yourself, visit the Pixar Theory website. You can also follow the man himself at @JonNegroni