Method behind the magic: Saving Private Ryan

Image features a still from the D-Day landing scene in the film Saving Private Ryan. The camera is looking over a German soldier firing at allied forces.
Image features a still from the D-Day landing scene in the film Saving Private Ryan.  The camera is looking over a German soldier firing at allied forces.

Image via www.savingprivateryan.wikia.com.

Released in 1998, Stephen Spielberg’s magnum opus Saving Private Ryan is considered one of the greatest and most realistic portrayals of war ever produced. Rated #36 on IMDb’s all-time greatest movie list and a very high 93% on movie critic website Rotten Tomatoes, Saving Private Ryan received nominations for 11 academy awards, winning 5, including the Best Director award for Spielberg. Amongst many other accolades, the film also won awards at the Golden Globes, Grammy’s and the BAFTAs.

The poignant messages and emotional drive of the film launches the audience into world that is both dangerous and unpredictable. Although receiving some criticism, mainly for disregarding the contribution of several other countries to D-Day, Saving Private Ryan will forever be remembered for its realism. Brilliantly intense performances from Tom Hanks and Matt Damon particularly, allowed Spielberg to focus on the terror of the war, rather than the heroics of the men in uniform. However, he did not make it easy it portray.

To prepare his stars for the “hell on earth” mentality of war, Spielberg enrolled almost every cast member into a Ten Day boot camp with retired marine Dale Dye, who was given the responsibility of pushing the actors to the peak of physical and mental exhaustion. Dye would fire blanks from point blank range, conduct heavy combat and survival skills training and would only refer to the each person by their character name.

Dye later explained that “to the extent I can, I immerse the actors in that lifestyle: I take them to the field; I make them eat rations; I make them crawl and sleep in the mud and the cold and the dirt… And when they come out, if I’ve done my job successfully, they have an inkling of what people sacrifice to serve their country in the military.”

Not all of the actors had to take part however. Matt Damon, Private Ryan himself, was made exempt from the training, only to turn up at the very end holding a cappuccino, as the story goes. This was a deliberate decision from Spielberg, in a bid to create a sense of animosity between Damon and the rest of the crew that would be reflected in the film.

On the training, Vin Diesel stated that “To have to sleep under harsh rain conditions and be woken up after only a few hours following a really hard day-it was very rough. It was something I’ll never do again, but it was something that I’ll always be thankful for have been completed.”

Tom Sizemore also spoke about the training after the films, explaining that “Something happened. We learned that no one does anything alone in the war. It’s all about teamwork. We got a taste of that and it brought us closer together so when we started shooting the movie, we felt a bond that we had gone through something very difficult together.”

This week in history: 23rd – 29th December

A projector called the cinematographe is being shown.

image via sechtl-vosecek.ucw.cz/

The 28th December marks the anniversary of the very first screening of a commercial movie. The film, was created by French brothers Louis and Auguste Lumiere, who had earlier developed a camera projector called the “Cinematographe”, premièred at the Grand Cafe, Paris in 1985. The event featured ten short films, including their first film, “Sortie des Usines Lumière à Lyon” (Workers Leaving the Lumière Factory).

This week in also saw the premiere of one of the scariest films of all time, The Exorcist, opened its doors to audiences for the first time in (Dec 23) 1973.

The Exorcist also shares its release date with the 1993 film Philadelphia. The film, which has been reviewed some critics as ground breaking due to its focus on AIDs which had not yet been seen by audiences, starred Tom Hanks and Denzel Washington. Philadelphia highlights and questions misconceptions about homosexuality and the disease.

If you have any more fun, interesting or just plain silly facts from this week in history, please tweet us at @inside_film

“The Pixar Theory”

The Pixar logo is visible with various Pixar characters surrounding it.

image via mashable.com

“Every Pixar movie is connected.” Those are the words of blogger and self-proclaimed “movie fanatic” Jon Negroni, who became obsessed over hidden links between some of our favourite animated masterpieces, leading to him to compile the “The Pixar Theory”.

Negroni begins with Brave, released in 2012, as the catalyst for events to come. As the earliest time period covered in a Pixar film, set in the Dark Ages, Negroni pays particular notice to how Brave is the only movie that explains why animals have human abilities and characteristics. Merida, a young princess, discovers a form of magic, which she inadvertently uses to turn her mother into a bear.

Merida later finds that this magic comes from an odd witch, who disappears every time she passes through a door, leading Merida to question her very existence. According to Negroni’s theory, this is not the only time we have encountered this witch.

Negroni is very quick to explain that the “The Pixar Theory” is an idea, not fact. He states that “The point of this theory is to have fun and exercise your imagination while simultaneously finding interesting connections between these fantastic movies. If you hate fun and/or imagination, you probably won’t like this theory.” Regardless, the further you delve into the Pixar Universe, the more you will become engrossed in its seamless narrative.

Centuries after Brave, the progression of intelligence leads to a power struggle between humans and animals. Negroni explains that “The stage for all-out war in regards to animals is set by Ratatouille, Finding Nemo, and Up, in that order. Notice I left out A Bug’s Life, but I’ll explain why later”.

Alongside the growing power battle between humans and animals, Negroni also highlights the progression of artificial intelligence, including machines in the struggle. This begins in The Incredibles, as Buddy, aka Syndrome, creates the A.I “Omnidroid” in his attempt to defeat the superheroes. “The omnidroid eventually turns on Syndrome, and starts attacking humans in the city. Why would an A.I.
want to just attack randomly? Do machines have an inherent hatred of humans?” asks Negroni.

Things get even weirder as Negroni adds more and more films to the timeline. In fact, he manages to include every single Pixar film into the story, including “Newt”, which has never been released by the company. Negroni invites you to, analyse, deconstruct and offer new angles as his theory continues to grow and gain pace online.

“The Pixar Theory” does not fail to shock and surprise you, as Negroni consistently uncovers hidden links, backing them up with evidence and interesting logic, and we haven’t even scratched the events on the timeline, as the real treat is at the end.

To check out “The Pixar Theory” yourself, visit the Pixar Theory website. You can also follow the man himself at @JonNegroni

Surprising improvisation in film

A man in a hospital gown wearing smudged clown make up walks away from a hospital explostion
A man in a hospital gown wearing smudged clown make up walks away from a hospital explostion

Image via forum.blu-ray.com

Not all of our favourite moments in film were planned. In fact, many magic movie moments were
not in the script at all. Inside Film has been looking into just a few moments in film that you
probably didn’t know were improvised.

The Dark Knight: Hospital Explosion
During the filming of the second instalment of Christopher Nolan’s Batman trilogy, a scene
involving blowing up a hospital should have been a failure, had it not been for the late Heath
Ledger thinking quickly on his feet.
Originally, Ledger was supposed to walk out of the Hospital only for it to explode immediately
behind him. However, the detonations were delayed and only one small explosion went off.
The building used for the scene had already been planned to be demolished and Nolan only had one chance to film the shot. Superbly, Ledger stayed fully in character, frantically poking and prodding at his detonator as the bombs exploded in random sequence behind him, allowing the scene which should have been a disaster to become one of the most iconic moments in modern film.

The Shining: “Here’s Johnny”
Considered one of director Stanley Kubrick’s best productions and one of the greatest horror/thriller movies of all time, The Shining boasts one of the most recognised moments in modern movie history.The line occurs during a scene where lead character Jack Torrance, now completely insane, is trying to murder his wife, who has locked herself in a bathroom for safety.
Originally, Kubrick, considered by some as quite the perfectionist, only wanted Jack Nicholson to break through a door with an axe, but what followed was to become most one the famous lines in film. As Nicholson breaks a hole in the door, he pokes his head through and says “Here’s Johnny”, in typical, maniac fashion. The line was taking from the late night TV show “The Tonight Show with Johnny Carson” and was an imitation of Announcer Ed McMahon’s introduction. Based in England at the time, Kubrick later admitted he had never heard the line before but decided to use it anyway.

Taxi Driver: “You talkin’ to me?”
The script read “Travis speaks to himself in the mirror”, but what Robert De Niro said would be
declared as the tenth greatest movie quote of all time (the winner was “Frankly, my dear, I don’t
give a damn” and become the most memorable moment in Martin Scorsese’s classic Taxi Driver.

A young De Niro, about to showcase his talent, turns to the mirror and says “You talkin’ to me?”
What followed would be carved into Pop Culture history forever. Originally, the idea was thought to be an imitation of Marlon Brando. However, actor /musician Clarence Clemons, who played for Bruce Springsteen and had a role in Scorsese’s 1977 musical “New York, New York”, revealed that De Niro got his inspiration for the scene from The Boss himself.

Back to the Present

The poster image for the 1989 Back to the Future film
The poster image for the 1989 Back to the Future film

Image via www.hardzine.com

Predictions Back to the Future II got right, and wrong

According to Robert Zemeckis’ 1989 sequel Back to the Future II, Marty Mcfly should be arriving in the present in just over a year. Zemeckis has been adamant since its release that the sequel was not meant to be an accurate depiction of the future. “For me, filming the future scenes of the movie were the least enjoyable of making the whole trilogy because I don’t really like films that try and predict the future.”

However, albeit accidentally, Zemeckis’ portrayal of Hill Valley in the 21st century throws up more similarities that anyone could have predicted.

One of the most popular gimmicks in film over recent years has been the explosion of 3D technology in our cinemas and homes. It seems every Hollywood blockbuster released over the last four to five years has been accompanied with a more expensive, 3D version.  Although 3D films have existed in some form since 1915, the recent growth in popularity, driven by the unprecedented success of Avatar in 2009, was a major aspect of Zemeckis’ portrayal of the future. A 3D advertisement for “Jaws 19” in Back to the Future II, in which a virtual shark attempts to eat Michael J. Fox, is one prediction Zemeckis got right.

That is just the beginning. Have you ever heard of the iPad or the electronic tablet? Nobody had in 1989, but it didn’t stop Zemeckis including handheld technological devices that have become the driving force of global communication in the 21st century. Zemeckis even managed to preview the way we use our technology to communicate, with references to video conferencing. Today, apps such as Skype are an integral part of our society, but in 1989 it was a different story. The mobile phone was still at a very basic stage, and the webcam would not been invented until 1991, by Cambridge University students to monitor coffee levels from their desks.

Back to the Future even included: devices similar to Google Glass; digitally received television; voice control; easily accessible, digital recording equipment; and handless video games.

Zemeckis later explained that rather than trying to make a scientifically sound prediction that we were probably going to get wrong anyway, we figured, let’s just make it funny.” Not a bad effort from somebody who essentially allowed his imagination to run wild.

He didn’t get it all right though. We do have hover boards, but they cannot be used in anyway yet and we’re all still waiting for flying cars, a concept that is still lurking around the drawing board.
The 2015 version of Hill Valley still also commonly use the “Laserdisc” which has long since become obsolete. Zemeckis also missed the idea of instant messaging or email, using the fax machine as the preferred form of communication, despite video conferencing technologies also at their disposal.

But as we draw closer to 2015, there is still time for more of Zemeckis’ ideas of the future to come true, except the double tie. The double tie will never be acceptable.