IMDb voters move Disaster Movie off the bottom of the pile.

Directors Friedberg and Seltzer image via www.listal.com

Directors Friedberg and Seltzer
image via www.listal.com

On the 31st of August 2008, Disaster Movie was named by IMDb as being the worst movie of all time. With an average rating of just 1.9 out of 10 after over 63,000 votes, Disaster Movie out flops titles such as Superbabies: Baby Geniuses 2, Zombie Nightmare and even Birdemic: Shock and Terror, a film in which a two survivors fight off a platoon of eagles and vultures who had partnered up in murdering most of the residents of a small town. Yes, really.

The parody, starring Matt Lanter, Vanessa Minnillo, Carmen Electra and even an acting début from the multi-talented Kim Kardashian, received six nominations at the 29th annual Golden Raspberry Awards for Worst Picture, nominations for both Electra and Kardashian in the Worst Supporting Actress category, Worst Director, Worst Screenplay, and Worst Prequel, Remake, Rip-Off or Sequel.

The only positive review of the film came from Australian newspaper critic Jim Schembri, who described the film as being “dumb but also undeniably funny in more spots than a right-thinking mature person feels comfortable admitting” giving it a rating of 3 ½ stars out of 5.
Schembri’s was himself subjected to criticism from peers and Rotten Tomato website visitors for the review.

Directors Jason Friedberg and Aaron Seltzer are used to negative reviews. Disaster Movie and Meet the Spartans were voted the two worst films of 2008 by the Times. Empire released their own list of “the Worst Movies of All Time”, in which all but one of Friedberg and Seltzer’s films made it into the countdown.

Although it did manage to recoup nearly $40million in box-office and DVD sales, Disaster Movie was considered by many as being the worst movie ever made, but not anymore.

With a rating of only 1.3 after over 40,000 votes, Indian action crime thriller movie Gunday has “overtaken” Disaster Movie on IMDb’s list of worst rated films.

Directed by Ali Abbas Zafar, Gunday received mixed reviews with many critics admitting the movie had a credible storyline, but was structurally poor. Whilst reviewing the film, Bollywood critic Saibal Chaterjee said that “It really is difficult to keep a two-and-a-half-hour film from losing its wheels when its engine room is bereft of the propellant of genuine inspiration. Gunday is like the dusty minefields it is set in. Its loud explosions deliver loads of coal, but no trace of any diamonds.”

Although far from being a classic, Gunday is seen by many as a commendable effort, and it’s position on IMDb’s list seems quite frankly, a little harsh.

However, for the directors who have been described as being the “”evildoers, charlatans, symbols of western civilization’s decline” and “a plague on our cinematic landscape, a national shame, a danger to our culture, a typhoon-sized natural disaster disguised as a filmmaking team, a Hollywood monster wreaking havoc on the minds of America’s youth and setting civilization back thousands of years”, Friedberg and Seltzer, for now, are no longer the directors of the worst movie of all time.

A tie for Gravity and 12 Years A Slave at the 2014 PGAs

An image of Sandra Bullock at Comic Con 2013
An image of Sandra Bullock at Comic Con 2013

Star of Gravity, Sandra Bullock.

Last night, amid the hustle and bustle of awards season, the less popular, but equally revered among the film industry, Producers Guild Awards (PGAs) took place at the Beverly Hilton Hotel, in California.

While the fashion and A-list celebrity took a back seat this time around, the PGAs takes time out to celebrate the producers and visionaries responsible for bringing films from an idea to the big-screen.

The biggest news from last night was that for the first time in history there was a tie in the ‘Theatrical Motion Picture’ category. Both Gravity and 12 Years A Slave walked home with an award.

While that is great news to these producers, it throws a spanner in the works when it comes to predicting the Oscars which are announced in March.

Normally, around this time in the award season a front-runner has usually established itself, this year is the exception. Gravity has enjoyed huge oscar buzz since September, but has more recently lost out to 12 Years a Slave at the Golden Globes.

In the meantime, the hugely successful, American Hustle, directed by David O Russell was crowned winner at the Golden Globes (this time for Best Motion Picture (Comedy)) and also received the same award more recently at the Screen Actors Guild Awards.

All these awards including, The Golden Globes, Screen Actors Guild Awards, Producers Guild Awards and the Critics Choice Awards, are all an indicator to the most revered awards, The Academy Awards.

While in the past it can be seen that one film has dominated awards season all the way to the Oscars. But the big bash that takes place on 1 March this year, is sure the throw up some huge surprises.

What this means is that this year is the most exciting and unpredictable awards season.

To see the full list of winners click here.

Events, offers and releases 23/12/13

Ben Stiller in a still from The Secret Life of Walter Mitty

 

Ben Stiller in a still from The Secret Life of Walter Mitty

Source: The Guardian

Merry Christmas!

Yes we know, it’s almost Christmas and amid the last-minute present shopping and getting ready for the big day, going to the cinema is probably a distant dream far away in the future.

But for that lazy period between Christmas and New Year, on the days when you simply have no idea what to do, don’t worry, there is a solution.

While unlike the United States, which will see big blockbusters opening in cinema on the 25th (yes crazy, we know!) here in the UK, multiplexes across the country will all take the day off and reopen their doors on the 26th.

Two films, 47 Ronin and The Secret Life of Walter Mitty open across the country on Boxing Day, which could give you a much needed night out at the cinema, so sit back relax and enjoy the movies.

So if you’re looking for some real adventure, a time to escape into another universe, check out Walter Mitty which is directed by, co-produced and starring Ben Stiller.

It follows the life of Walter, a day-dreamer who one day is forced to take on the most incredible adventure that he could never even imagine.

If you fancy something a bit more violent and action-packed, 47 Ronin might be more up your street.

Starring Christian Bale, the movie sees 47 leaderless samurai vowing to seek vengeance and restore honor to their people after a treacherous warlord kills their master and banishes their kind.

To book tickets and find your closest cinema check out the Odeon Website.

The all-encompassing Tarantino-verse

Quentin Tarantino holding a camera
The Bride swordfighting

Image via http://derekwinnert.com/

Sometimes you can flick to a film and just know whose it is. There’s that director footprint, like a seal of ownership, that you can identify within minutes of switching on. Sometimes it’s a visual style – you can tell a Pixar film from a mile off. Or maybe it’s the dialogue that’s distinctive. But what about the films of Quentin Tarantino? What makes them so, recognisable?

These films are incredibly indepth, with a ton of unique characters and brilliant ways in which they interact. But how do the films themselves do this? Tarantino has spent his life painstakingly crafting a spiderweb-like film universe, in which every character branches out to another somehow. This band of rogues overlaps in between his films in ways that are as weird and wonderful as his creations.

These aren’t plot related, mind you. These crossovers are more like Easter Eggs, teasing and giving little enjoyable in-jokes to only the most observant of fans. Film buffs say that good screenwriting is to give every character a backstory. Well Tarantino could dedicate entire films to his.

I’ll start with an easy one. Pulp Fiction‘s Mia Wallace tells John Travolta about her failed TV show, Fox Force Five. Sound like Kill Bill to you? Maybe it isn’t Uma Therman playing The Bride, but Mia Wallace? Coincidence I think not.

Vincent Vega and Jules Winnfield holding guns

Image via http://handsomecitizens.com/

Speaking of John Travolta, did you know that Reservoir DogsMr Blonde and Pulp Fiction’s Vincent Vega are related? Here’s a big hint – they’re brothers. Tarantino originially intended to write The Vega Brothers as a prequel but scrapped the idea when both Messrs Travolta and Madsen aged more than their respective characters.

Okay with that? Good, cause here’s where it gets a little deeper. Keeping with Reservoir Dogs, Mr White’s relationship with a woman known only as “Alabama” can be linked with the same girl from the Tarantino scribed True Romance. It’s also a safe bet to assume Detective Jack Scagnatti from the Tarantino penned Natural Born Killers is related to Seymour Scagnetti. Remember him? He was mentioned as being a parole officer in Reservoir Dogs by Mr Blonde.

Further down the rabbit hole we go. Tarantino himself has admitted that he writes two kinds of film; “movie movies” and the “Realer than Real” universe. These “movie movies”, From Dusk Till Dawn and Kill Bill are films that character from his other films would enjoy. So, in the drama Curdled, a character is seen watching the Gecko brothers from From Dawn Till Dusk on TV. This would explain both why there are suddenly vampires in a Tarantino film, and why no one in Django Unchained is worried about vampire attacks. The rest of his films are firmly in the “Realer than Real” category.

I could keep going endlessly with speculation and fanboy-driven ramblings, or you could go and watch the films and marvel at what Tarantino has created yourselves. Or, you could head to Cracked.com and check out their theory on the ending of Inglorious Basterds. It certainly blew my mind.

If that is true, then the man truly is a genius. Either way, you have to love how this guy’s brain works.

“The Pixar Theory”

The Pixar logo is visible with various Pixar characters surrounding it.

image via mashable.com

“Every Pixar movie is connected.” Those are the words of blogger and self-proclaimed “movie fanatic” Jon Negroni, who became obsessed over hidden links between some of our favourite animated masterpieces, leading to him to compile the “The Pixar Theory”.

Negroni begins with Brave, released in 2012, as the catalyst for events to come. As the earliest time period covered in a Pixar film, set in the Dark Ages, Negroni pays particular notice to how Brave is the only movie that explains why animals have human abilities and characteristics. Merida, a young princess, discovers a form of magic, which she inadvertently uses to turn her mother into a bear.

Merida later finds that this magic comes from an odd witch, who disappears every time she passes through a door, leading Merida to question her very existence. According to Negroni’s theory, this is not the only time we have encountered this witch.

Negroni is very quick to explain that the “The Pixar Theory” is an idea, not fact. He states that “The point of this theory is to have fun and exercise your imagination while simultaneously finding interesting connections between these fantastic movies. If you hate fun and/or imagination, you probably won’t like this theory.” Regardless, the further you delve into the Pixar Universe, the more you will become engrossed in its seamless narrative.

Centuries after Brave, the progression of intelligence leads to a power struggle between humans and animals. Negroni explains that “The stage for all-out war in regards to animals is set by Ratatouille, Finding Nemo, and Up, in that order. Notice I left out A Bug’s Life, but I’ll explain why later”.

Alongside the growing power battle between humans and animals, Negroni also highlights the progression of artificial intelligence, including machines in the struggle. This begins in The Incredibles, as Buddy, aka Syndrome, creates the A.I “Omnidroid” in his attempt to defeat the superheroes. “The omnidroid eventually turns on Syndrome, and starts attacking humans in the city. Why would an A.I.
want to just attack randomly? Do machines have an inherent hatred of humans?” asks Negroni.

Things get even weirder as Negroni adds more and more films to the timeline. In fact, he manages to include every single Pixar film into the story, including “Newt”, which has never been released by the company. Negroni invites you to, analyse, deconstruct and offer new angles as his theory continues to grow and gain pace online.

“The Pixar Theory” does not fail to shock and surprise you, as Negroni consistently uncovers hidden links, backing them up with evidence and interesting logic, and we haven’t even scratched the events on the timeline, as the real treat is at the end.

To check out “The Pixar Theory” yourself, visit the Pixar Theory website. You can also follow the man himself at @JonNegroni